The following works, although not
cited, have
contributed to my reflection on matters sensory and
reproductive.
Many yield a bon mot.
O... |
Ong, Walter J. Ramus: Method, and the Decay of Dialogue. from the Art of Discourse to the Art of Reason. Cambridge, Mass. & London: Harvard University Press, 1958. rpt. 1983.
McLuhan seems to have missed Ong's distinction between
the
personalist and corporationalist role of the teacher
(152).
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P... |
Parker, Andrew. "Unthinking Sex: Marx, Engels, and the Scene of Writing" in Fear of a Queer Planet: Queer Politics and Social Theory. Minneapolis: University of Minnesota Press, 1993. Examines how production is modeled on procreation and the heterosexist consequences of this alignment. Perron, Paul and Marcel Danesi. A.J. Greimas and Narrative Cognition. Monograph Series of the Toronto Semiotic Circle Number 11. Toronto: Toronto Semiotic Circle, 1993. Perron, Paul. Jan Gordon and Marcel Danesi. "Commonplaces and Situations: The "Subjective" Nature of Discourse Revisited." The Toronto Semiotic Circle Bulletin 2:1 1994.
"It is our view that commonplaces point to an
inherent
feature of cognition that can only be described as an
extension
of visual sensory experience into the domain of
abstract thought.
In other words, they appear to reveal a tendency to fix
abstract
modes of thinking in a kind of "mind-space"
which is
itself an iconic model of the world of sensation."
Pronger, Brian. The Arena of Masculinity: Sports, Homosexuality, and the Meaning of Sex. 1990; rpt University of Toronto Press, 1992.
"When the physical and mental come together in
sexual
activity, they are intensely and pleasurably merged.
This is a
process in which the abstract nature of thinking
becomes
incarnate in actual physical experience."
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R... |
Robinson, Douglas. "Dear Harold." New Literary History 20:1 (Autumn 1988).
"Mere temporal priority does not make writers
parents,
we [critics] do. If we want to. If we
allow
ourselves to be victimized by institutionalized culture
worship,
if we surrender to the parental images our civilization
generates
of its precursors."
Robinson, Douglas. The Translator's Turn. Baltimore and London: Johns Hopkins University Press, 1991.
"Ethically conceived," translation as a task
is set
upon discovering the significance, commonality and
malleability
of somatic response.
Ronell, Avital. The Telephone Book: Technology, Schizophrenia, Electric Speech. Lincoln: University of Nebraska Press, 1989.
"it [telephony] is a place without location from
which to
get elsewhere"
Rothenberg, Jerome. Shaking the Pumpkin: Traditional Poetry of the Indian North Americas. Revised Edition. New York: Alfred Van der Mark, 1986.
This along with the anthology Technicians of the
Sacred offer examples of Rothenberg's concern
with what he
calls "total translation," a term he uses
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S... |
Sanderson, George and Frank Macdonald, eds. Marshall McLuhan: The Man and His Message. Golden, Colorado: Fulcrum, Inc., 1989.
In this collection, Walter Ong expresses reservations
about
McLuhan's use of the term "medium".
Silverman, Kaja. The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema. Bloomington, Indiana University Press, 1988. Examines the politics of synchronization of voice and image in classic Hollywood cinema and women's experimental film. Stein, Gertrude. Narration. Chicago: University of Chicago Press, 1935.
The third lecture opens
Steiner, Wendy. The Colors of Rhetoric. Chicago, University of Chicago Press, 1982. Silko, Leslie Marmon. Storyteller. New York: Arcade, 1981.
"The story ends there./ Some of the stories/ Aunt
Susie
told/ have this kind of ending./ There are no
explanations."
Silko, Leslie Marmon. Almanac of the Dead. New York: Simon and Schuster, 1991.
"Angelita La Escapˇa imagined Marx as a
storyteller who
worked feverishly to gather together a magical assembly
of
stories to cure the suffering and evils of the world by
the
retelling of the stories."
Stonum, Gary Lee. "Cybernetic Explanation as a Theory of Reading." New Literary History 20:2 (Winter 1989). 397-410.
"[N]oise and information are both instances of
variety in
the signal and hence not phenomenally or logically
distinct."
Strang, Barbara M. Metaphors and Models, an Inaugural Lecture delivered before the University of Newcastle on Tyne on Monday 12 October, 1964. Newcastle: University of Newcastle on Tyne, 1965.
"[T]he direct connection between theory and
description
means that we need large numbers of people working in
the field.
Quite apart from the fact that languages need to be
redescribed
because they change so quickly, there will always be a
need for
re-description in terms of different metaphors, models
and
theories."
Sullivan, Michael. The Three Perfections: Chinese Painting, Poetry and Calligraphy. London: Thames and Hadson, 1974; rpt. NY: George Braziller, 1980.
"We can only understand the Chinese attitude if we
can see
the picture as the Chinese do, not as a complete
artistic
statement in itself, but as a living body, an accretion
of
qualities, imaginative, literary, historical, personal,
that
grows with time, putting on an ever-richer dress of
meaning,
commentary and association with the years."
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T... |
Taylor, Charles. Sources of the Self: The Making of the Modern Identity. Cambridge, Mass.: Harvard University Press, 1989.
"[w]e take as basic that the human agent exists in
a space
of questions."
Thompson, E.P. The Poverty of Theory and other essays. London: Merlin Press, 1978.
"[I]t is exactly in conditions when a theory (or
a
theology) is subject to no empirical controls
that
disputes about the placing of one term lead on to
theoretical
parturition: the parturition of intellectual
parthenogenesis."
Thompson, Robert Farris. Flash of the Spirit: African and Afro-American Art and Philosophy. New York: Random House, 1983. Traces the survival of verbal and non-verbal systems of notation. Trinh, T. Minh-ha. "Grandma's Story" in Woman, Native, Other: Writing Postcoloniality and Feminism. Bloomington: Indiana University Press, 1989.
"The structural activity that does not carry on
the cleavage
between form and content, but emphasizes the
interrelation of the
material and the intelligible, is an activity in which
structure
should remain an unending question [...]"
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V... |
Vail, Leroy and Landeg White. Power and the Praise Poem: Southern African Voices in History. Charlottesville: University Press of Virginia: 1991.
Opening chapter does much to demystify the
constructions of
"oral man".
Virilio, Paul. L'espace critique. Paris: Christian Bourgois Editeur, 1984.
"Dimensionner c'est en quelque sorte
déphaser"
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W... |
Weatherford, Jack. Indian Givers: How the Indians of the Americas Transformed the World. New York: Crown, 1988.
Engels inspired by Iroquois Confederacy and kinship
structures.
Wellek, René. "The Concept of Evolution in Literary History" in For Roman Jakobson. Morris Halle et al. compilers. The Hague: Mouton, 1956.
"We are expected to forget that novelty need not
be valuable
or essential, that there may be, after all, original
rubbish."
Wellek, René. Four Critics: Croce, Valéry, Lukács, and Ingardern. Seattle and London: University of Washington Press, 1981.
On Ingarden, Wellek, René. "The Parallelism between Literature and the Arts." English Institute Annual 1941. New York: Columbia University Press, 1942. 29-63.
"The various arts -- the plastic arts, literature,
and music
-- have each their individual evolution, with a
different tempo
and a different internal structure of elements. No
doubt they are
in constant relationship with each other, but these
relationships
are not influences which start from one point and
determine the
evolution of the other arts; they have to be conceived
rather as
a complex scheme of dialectical relationships which
work both
ways, from one art to another and vice
versa,
and may be completely transformed within the art which
they have
entered."
Wellbery, David E. Lessing's Laocoon: Semiotics and Aesthetics in the Age of Reason. Cambridge: Cambridge University Press, 1984.
"Lessing's most important theoretical writing
after the
Laocoon, the Hamburgische
Dramaturgie
(1767) describes the locus of this convergence [between
poetry
and painting]: "The art of the actor occupies a
middle
position between the plastic arts and
poetry"'"
Wilden, Anthony. System and Structure: Essays in Communication and Exchange. Second Edition. London: Tavistock, 1980.
Useful notion: punctuation of social reality.
Willis, Susan. Specifying Black Women Writing the American Experience. Madison, Wisconsin: University of Wisconsin Press, 1987.
"The body provides a medium for the metaphors of
history,
making these metaphors experientially concrete."
Wilson, Alexander. The Culture of Nature: North American Landscape from Disney to the Exxon Valdez. Toronto: Between the Lines, 1991. "A rhetorical rejection of science, however, with no attention paid to oppositional currents within the discipline, amounts to little more than anti-intellectualism." (69) |
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